Valentine’s Day at the Theater: Actress Fotinì Peluso on Love & Cinema
- Agrigento, Sicily – Italian actress Fotinì Peluso spent Valentine’s Day reflecting on love, loss, and the enduring power of theatre, appearing at a special event at the Teatro...
- Peluso was the featured guest for a discussion centered around Baz Luhrmann’s 1996 film, Romeo + Juliet.
- The actress, who recently concluded a performance at the Teatro Greco in Syracuse, also discussed her role in the Netflix series La Fortuna, highlighting the show’s willingness to...
Agrigento, Sicily – Italian actress Fotinì Peluso spent Valentine’s Day reflecting on love, loss, and the enduring power of theatre, appearing at a special event at the Teatro Pirandello on . The event, titled “Passo a due – Il Teatro al Cinema, il Cinema in Teatro,” explores the intersection of stage and screen, focusing on films that celebrate the art of theatre.
Peluso was the featured guest for a discussion centered around Baz Luhrmann’s 1996 film, Romeo + Juliet. According to reports from AgrigentoNotizie, the actress expressed a palpable emotional connection to the theatre itself upon entering the Pirandello. “As soon as I entered the theatre, I was moved,” she said, “it felt like I had to go on stage. It’s a suggestive, warm theatre. I miss the theatre so much: even just sitting in the stalls is a unique emotion.”
The actress, who recently concluded a performance at the Teatro Greco in Syracuse, also discussed her role in the Netflix series La Fortuna, highlighting the show’s willingness to tackle challenging and often taboo subjects within Italian society. While details about her specific comments on the series were limited in the provided source, the mention underscores Peluso’s interest in projects that push boundaries and spark conversation.
Valentine’s Day naturally prompted a discussion about love, a central theme in Shakespeare’s classic tragedy. Peluso offered a nuanced perspective, challenging the conventional portrayal of love as inherently tumultuous. “Love is often confused with something tormented,” she stated, “but happy love exists. And the boredom of happy love, bring it on.” Her remarks were accompanied by piano music from maestro Salvatore Galante, adding to the evening’s artistic atmosphere.
Beyond her professional life, Peluso took the opportunity to acknowledge her heritage, speaking about her Greek roots and her strong connection to Sicily. “I find a lot of Greece in this land,” she shared. “I feel at home. The islands teach you to let the waves carry you, we should do that more often in life.” This sentiment speaks to a broader theme of finding belonging and embracing one’s cultural identity, a recurring motif in Peluso’s work.
The event at the Teatro Pirandello represents a continuation of the “Passo a due” series, which aims to establish the theatre as a dynamic space for interdisciplinary exchange. The series’ success in blending cinema and theatre underscores a growing desire for collaborative artistic experiences, offering audiences new ways to engage with both mediums.
Fotinì Peluso’s career has been steadily gaining momentum in recent years. Born in Rome on , she began acting after earning a degree in economics from Roma Tre University. Her early roles included appearances in the Rai 1 series Romanzo famigliare (2018) and the film Il regno (2020). However, it was her performance in the Netflix series Everything Calls for Salvation (2022-2024) that brought her widespread recognition, earning her a Ciak d’oro and a Biraghi Award at the 2023 Silver Ribbons, as well as an ‘Italian Rising Star’ David di Donatello Award.
Her filmography continues to expand, with upcoming projects including The Great Chimera (2026), where she plays Marina, an Italian woman drawn into a complex relationship in 1930s Greece. As reported by Variety, Peluso sees this role as an opportunity to connect with her Greek heritage. She is also slated to appear in Recrucified and Non è la fine del mondo, both currently in post-production. Her recent roles include Jasmine Meola in Dieci minuti (2024) and Eva in Mani nude (2024).
Peluso’s presence at the Teatro Pirandello event, and her reflections on love, theatre, and identity, offer a glimpse into the mind of a rising star who is not only a talented actress but also a thoughtful and articulate voice within the Italian entertainment industry. Her ability to seamlessly navigate between television, film, and stage, coupled with her commitment to meaningful storytelling, positions her as a compelling figure to watch in the years to come. The event itself reinforces the Teatro Pirandello’s role as a vital cultural hub, fostering dialogue and celebrating the power of artistic expression.