Vyasana Sametham Review: Anaswara Rajan’s Satirical Film
Dive into the darkly humorous world of ‘Vyasana Sametham Bandhu Mithradhikal,’ a Malayalam film that redefines dark comedy. This review unveils S. Vipin’s exploration of death, funerals, and the social dynamics they expose. The film brilliantly uses satire to dissect the reactions to death, focusing on unexpected characters and their agendas, all set against the backdrop of a Thiruvananthapuram village. Anaswara Rajan’s performance is a highlight, effectively capturing the turmoil. News Directory 3 found this film’s storytelling especially engaging, especially the commentary on gender and class issues. Witness how the film blends laughter and awkward truths. Discover what’s next as this engaging satire unfolds.
‘Vyasana Sametham Bandhu Mithradhikal’: A Darkly Humorous Take on Death
updated June 13, 2025
S. Vipin’s Malayalam film, Vyasana Sametham Bandhu Mithradhikal (VSBM), finds humor in the often-awkward events surrounding a funeral. Set in a village in Thiruvananthapuram, the movie questions the motives of those who gather after a death, while also examining social labels.
The story begins with wedding plans for Anjali, played by Anaswara Rajan. However, her potential groom displays troubling behaviour. Together, she is pursued by a persistent college senior. Anjali’s grandmother,Sumithra,portrayed by Mallika Sukumaran,is her only family support. When Sumithra dies of cardiac arrest, the wedding plans are disrupted.
The film follows the ensuing chaos, with each character adding to the humor. One character, Shakthi, remarks on his inability to control laughter at funerals, a sentiment that mirrors the unsettling humor present throughout VSBM. The dark comedy explores the uncomfortable aspects of death and mourning.
The film highlights unwanted guests and their agendas, such as a Karayogam President seeking attention and a suitor attempting to woo Anjali during the funeral rites. The behavior of Sumithra’s relatives, annoyed at not being promptly informed of her death, further emphasizes the vulture-like atmosphere.
Produced by Vipin Das and Sahu Garapati, VSBM joins the ranks of Malayalam dark comedies dealing with death, such as Ee Ma Yau and Jan.E.Man. The film contrasts mourning with the celebration of life, while also addressing issues of gender, class, and dignity in death.
Azeez Nedumangad delivers a restrained performance as Murali, Sumithra’s son-in-law, portraying his character’s helplessness. Rajan effectively conveys Anjali’s emotional turmoil in the film’s latter scenes.
Azeez nedumangad in Vyasana Sametham Bandhu Mithradhikal
| Photo Credit: SPECIAL ARRANGEMENT
Noby Marcose and Siju Sunny also deliver solid performances. Ashwathy Chand Kishor, as Sumithra’s daughter, handles both comedic and emotional scenes effectively. Saji Sabana, who plays a vengeful neighbor and also serves as the movie’s creative director, provides another notable performance.
Rahim Aboobacker’s cinematography captures the village setting, while Ankit Menon’s music complements the film’s tone.
VSBM is an enjoyable exploration of life and death. The film successfully blends dark humor with social commentary, prompting viewers to laugh at uncomfortable truths.
What’s next
Vyasana Sametham Bandhu Mithradhikal is currently playing in theaters, offering audiences a darkly comedic reflection on family dynamics and societal norms surrounding death.