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Washi Paper Exhibit: London Design Biennale 2023

Washi Paper Exhibit: London Design Biennale 2023

June 15, 2025 Catherine Williams - Chief Editor World

Witness a groundbreaking performance where sound and the artistry‍ of washi paper converge in ‌London. Artist Midori ⁤Komachi stunned audiences at Somerset ‌House,‍ wearing a dress crafted entirely ⁣from Japanese washi, blurring the lines between visual and auditory experiences. ​Her performance, blending violin,⁤ cello, and shakuhachi, transformed the Nelson Stair into⁤ an experimental soundscape, ⁤exploring the ⁤captivating role of paper in performance art. The delicate balance of sound against the⁢ skin created⁣ a unique experience.‌ The ⁣exhibit, anchored ⁣by Sekimori ishi boundary stones, showcased the innovative collaboration and artistry of ‌Komachi and⁤ Toshiki Hirano.​ For more insights into⁢ arts and⁤ culture, ⁢check out News Directory 3. Discover⁣ what’s next for Komachi’s continued exploration of sound,space,and materials.

Key Points

Table of Contents

    • Key Points
  • Komachi’s Washi‌ Performance Art Resonates in London
    • What’s next
    • Further reading
  • Midori Komachi performs ⁣in a washi paper dress.
  • Performance blends violin, cello, and shakuhachi.
  • Teh role of sound and paper ​explored at⁤ Somerset House.

Komachi’s Washi‌ Performance Art Resonates in London

Updated June 15, ‍2025
⁣

London – Inside Somerset ‌House, artist Midori Komachi, 36, ​recently presented a ⁤unique performance, combining music and the visual appeal of conventional Japanese paper, or washi. Komachi, clad in⁢ a dress crafted entirely from washi, stood upon ⁤the Nelson Stair, seemingly floating among clouds also ⁢constructed from the delicate material.

The performance began with Komachi playing her violin. A ⁤recording of cello and shakuhachi flute then⁣ joined in, after which ‌Komachi moved, plucking the violin strings with her​ entire body. The sound of washi against skin became part of the score,creating an experimental soundscape within the‌ rotunda.

Komachi quoted acoustician Yasuhisa Toyota in the exhibition pamphlet, writing, “Sound is lighter then air.” ⁢However, her performance carried weight, much ‌like the Sekimori ishi boundary​ stones anchoring ⁢the washi clouds. Toshiki Hirano, Sekisui House Kuma Lab codirector, imported the stones and designed Komachi’s dress.

What’s next

Komachi plans to continue exploring the intersection of sound, ‌space, and traditional materials in future performances, further examining the role of art in cultural expression.

Further reading

  • Washi industry faces decline in Fukui

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Exhibitions, japanese art, Japanese crafts, london design biennale, Midori Komachi, washi

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