Washi Paper Exhibit: London Design Biennale 2023
- London - Inside Somerset House, artist Midori Komachi, 36, recently presented a unique performance, combining music and the visual appeal of conventional Japanese paper, or washi.
- A recording of cello and shakuhachi flute then joined in, after which Komachi moved, plucking the violin strings with her entire body.
- Komachi quoted acoustician Yasuhisa Toyota in the exhibition pamphlet, writing, "Sound is lighter then air." However, her performance carried weight, much like the Sekimori ishi boundary stones anchoring...
Witness a groundbreaking performance where sound and the artistry of washi paper converge in London. Artist Midori Komachi stunned audiences at Somerset House, wearing a dress crafted entirely from Japanese washi, blurring the lines between visual and auditory experiences. Her performance, blending violin, cello, and shakuhachi, transformed the Nelson Stair into an experimental soundscape, exploring the captivating role of paper in performance art. The delicate balance of sound against the skin created a unique experience. The exhibit, anchored by Sekimori ishi boundary stones, showcased the innovative collaboration and artistry of Komachi and Toshiki Hirano. For more insights into arts and culture, check out News Directory 3. Discover what’s next for Komachi’s continued exploration of sound,space,and materials.
Komachi’s Washi Performance Art Resonates in London
Updated June 15, 2025
London – Inside Somerset House, artist Midori Komachi, 36, recently presented a unique performance, combining music and the visual appeal of conventional Japanese paper, or washi. Komachi, clad in a dress crafted entirely from washi, stood upon the Nelson Stair, seemingly floating among clouds also constructed from the delicate material.
The performance began with Komachi playing her violin. A recording of cello and shakuhachi flute then joined in, after which Komachi moved, plucking the violin strings with her entire body. The sound of washi against skin became part of the score,creating an experimental soundscape within the rotunda.
Komachi quoted acoustician Yasuhisa Toyota in the exhibition pamphlet, writing, “Sound is lighter then air.” However, her performance carried weight, much like the Sekimori ishi boundary stones anchoring the washi clouds. Toshiki Hirano, Sekisui House Kuma Lab codirector, imported the stones and designed Komachi’s dress.
What’s next
Komachi plans to continue exploring the intersection of sound, space, and traditional materials in future performances, further examining the role of art in cultural expression.