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– Lifestyle: Miami Rapper’s New Album Release

As a​ journalist in a nihilistic 2026 hellscape,⁢ trust me when I say this: Abrupt ⁢career wakeup calls are⁣ usually ⁤pretty shitty.​ So then, I am charmed when Bushy B tells me about the moment his job as a case manager for at-risk youth⁣ came to an end. Taking a lunch break as his eight-year-old single “Scared” was going​ viral, ‍he ran into a transformative Frist​ World Problem for emerging musicians.

“I kept having to go out of town‌ to meet with these people and I ran ⁣out of PTO,” the Miami-based ⁢artist explains. “I had to make a decision.” That⁣ decision was to make music his full-time gig, ⁣and, besides a missed initial ⁣flight to ⁤NY⁣ this ‌past tuesday, it’s​ worked out pretty well. After all, we’re⁣ sitting in‍ the ultra swanky SoHo​ House, and it doesn’t seem like he’s​ tripping about the expensive Uber he just took to get ‍here. “I’m just trying‌ to take it one day at a time,” he says. ‌That next step will involve the release of Lifestyle, a new‌ album⁢ he’s set to drop ​this Friday.

Checking at a tidy ​15 songs, the project sees Bushy shift between​ earnest⁣ street reflection ‍and sultry⁣ romance with languid ease. For the opener, “Back‌ On My Feet,” he ⁣cruises a ⁤spacy soundscape for a rumination on battles won ‍and others ‍yet to be completed.Meanwhile,on tracks like ⁣”Meet Me‌ In‌ The⁤ 305,” he grafts sweet nothings onto wet strings ⁤like ​waves brushing Miami⁤ Beach. His voice is a little more elastic, but there’s a⁤ rasp at the edge that⁢ sort of reminds me of 6LACK. If he ⁤is like 6LACK,he’s the more‍ wholesome,post-therapy​ person. Kicking it with my writer friend, his publicist and his other homie, he makes time ⁣to return a call ⁤he missed from his mother during our interview; she wants ⁤the rundown‌ on his NY trip.

Years before she‌ had business trips to check in on,⁣ Bushy’s mom, along with his father, would expose‌ him⁢ to the sounds of⁣ Gregory Isaacs. Soon, he’d be flipping⁤ through their CD books and ‌switching discs in and out​ of his CD player as he‌ soaked up the sounds of⁤ jagged Edge, new Edition,⁢ and Michael Jackson. “I was into music at a very early age,” he says. ⁢Soon, that palette grew to include folks like Lil Wayne, Kodak Black,⁣ and Rick Ross. He says his pops used to⁢ play​ with Rozay​ back in high school. Bushy was into sports too, but the customary accouterments ​of the streets were⁢ usually close​ by.”My dad‌ took me to my first​ dice game‍ at four years old,” he recalls. “I’ve seen‌ people get killed in front of‍ me for $5.”

Still, the danger onyl emboldened him. ‌”I’m fearless,” he says. “I take my music seriously as I know it’s a way out.” And yet⁤ his first path to salvation was located​ within the walls of Florida Memorial University, where ⁣he enrolled⁢ to study​ criminal justice. There, he‌ realized he could pursue an actual music career once he teamed with classmate

embed]https://www.youtube.com/watch?v=u9rdzKwhxhI[/embed]

Things were looking ‍pretty iffy for Max B when Public Domain 7: The Purge dropped in the days before Christmas. His voice⁢ was a little too gravelly, and it was more than a‍ little bloated.On Coke Wave 3.5: Narcos, Max ⁢course-corrects⁤ with a little help from ⁣bestie French Montana, who resurrected himself‌ from complacency with buoyantly petty disco flips like this one. Max came through with‍ some very‍ Biggavelish ‌bars on this one too.

Maino, Dave East, Jim Jones, & fabolous – “Squatters rights Freestyle”

50 Cent will get these ‍jokes off, but that means he can get these bars,‌ too. Kudos to Fabolous for frying​ Fif in a‍ verse that still hasn’t gotten a direct response.

Doechii – “girl, get up.” (Feat. SZA)

Doechii returns with a stylish clapback at haters. ‍The ambient instrumental and SZA’s unaffected vocals frame ‍it all in easygoing cool.

J. Cole – “Disc 2 Track 2”

This song is obviously gimmicky, but Jermaine’s​ ability to maintain a coherent, non-linear ‌story suffused with 4K detail and ⁤liquid⁢ rhyme schemes is ⁢… ⁤fairly amazing. Not⁢ sure I’d want⁤ an entire album of these, ‍but Cole is ‌rapping. No doubt.

A$AP Rocky -‍ “Stop Snitching” (Feat. sauce ⁣Walka ‍ or BossMan‍ Dlow)

My GOODNESS Rocky spazzed on this, and depending on which​ version you get, so did Sauce⁤ Walka or BossMan Dlow. There’s one version on Apple Music (Sauce) and one​ on Spotify ⁣(Dlow). Both are proof that Rocky is pretty much back, man.

Lil Uzi Vert – “What ‍You Saying”

I go ⁢back and forth with Uzi, but ​recent singles‌ like “Regular” and “Relevant” brought me right back.‌ ditto for “What ⁤You Saying,” a seamless blend of club percussion, orchestral strings, and Uzi’s mellifluous, yelping‌ melodies.

Maxo⁣ Kream,⁢ Denzel Curry, & JPEGMAFIA – “Fake Jeezy”

This one sounds ⁣like an even more apocalyptic ⁣version ⁣of some shit⁢ off ⁤”Trap Or Die,” and Maxo comes through once again.

Nas & DJ Premier – “Writers”

Nas & DJ Premier’s joint album wasn’t the apex boom bap‍ miracle ‌folks hoped ‌it would be, but you know, it was good, and the sincerity and general atmospheric strength of tracks like⁤ this one is the reason‍ why.

ROAST ‍ME

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