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Bring Me The Horizon São Paulo 2026: Livestream Details & Fan Reactions

by Ahmed Hassan - World News Editor

São Paulo, Brazil – British rock band Bring Me The Horizon is preparing to release a concert film documenting their largest headline performance to date, a show at Allianz Parque Stadium in São Paulo. The film, titled L.I.V.E. In São Paulo (Live Immersive Virtual Experiment), is slated for release in cinemas worldwide on and , with pre-saving now available as of today, .

The announcement, made on , details an “immersive” cinematic experience intended to capture the energy of the performance before a sold-out crowd of 50,000 fans. The film will utilize multi-camera footage, drone shots, and video clips submitted by audience members, aiming to provide a multi-angle perspective of the concert.

According to promotional material, L.I.V.E. In São Paulo expands upon the visual universe established in the band’s ‘POST HUMAN’ series. The production incorporates cinematic elements, perspectives from fans in attendance, and appearances by characters including E.V.E, Selene, and M8. The band themselves have hailed the São Paulo performance as their best show yet.

The setlist for the concert spans the entirety of Bring Me The Horizon’s discography, encompassing material from albums such as Sempiternal (), That’s The Spirit (), Amo (), and the ongoing ‘POST HUMAN’ series (-present). This suggests a comprehensive retrospective of the band’s evolution, appealing to a broad range of long-time fans.

Tickets for the cinema release will go on sale on . The film is being distributed by Sony Music, and is described as a “groundbreaking cinema event” capturing the band’s largest headline show.

Bring Me The Horizon has a significant international following, and the decision to release this concert film globally reflects the band’s reach. The immersive format, utilizing fan-submitted footage and multiple camera angles, represents a growing trend in concert film production, seeking to replicate the experience of live performance for audiences unable to attend in person. This approach aims to differentiate the film from traditional concert recordings.

The band’s previous performance at Reading Festival in was described as a “mind-blowing spectacular” and praised for its production value, reportedly outstripping similar performances by Muse in terms of spectacle and matching them in performance quality. This suggests a high level of investment in stagecraft and visual presentation, likely carried over into the São Paulo concert and its subsequent cinematic release.

The release of L.I.V.E. In São Paulo follows a period of significant activity for the band, including their continued work on the ‘POST HUMAN’ series. The film is expected to be followed by a physical and digital release, further extending its availability to fans. The band is also featured on an upcoming album by ILLENIUM, titled Odyssey, with a song called “Slave To The Rithm”.

The choice of São Paulo as the location for this landmark concert and film underscores the growing importance of the Latin American market for international music acts. Brazil, in particular, has become a key destination for major tours and performances, attracting artists from across the globe. The success of the São Paulo show, drawing a crowd of 50,000, demonstrates the region’s potential for large-scale music events.

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