VideoAge International: Four Decades Chronicling the Evolution of Television
For over four decades, VideoAge International has served as a cornerstone of information for the global television industry. Founded in 1981, the publication has consistently tracked the evolution of television, from the dawn of the “video age” to the complex landscape of streaming, broadband, and digital distribution that exists today.
The magazine distinguished itself early on by introducing the concept of daily publications at television and film markets in 1982. This innovation continues today, with VideoAge publishing daily editions at key industry events like NATPE, MIPTV, and MIPCOM, alongside its regular monthly issues. This commitment to timely reporting has cemented its position as an essential resource for professionals navigating the fast-paced world of television commerce.
VideoAge’s founder, Dom Serafini, launched the publication when the international television industry was still in its formative stages, initially appearing at VIDCOM, a precursor to the now-renowned MIPCOM market in Cannes. The name itself, “VideoAge,” reflected the prevailing belief at the time that video technology would usher in a new era of media consumption – a prediction that proved remarkably prescient.
The publication’s scope extends far beyond simply reporting on programming and ratings. VideoAge views television as a multifaceted “universe” encompassing politics, regulation, sociology, psychology, finance, production, distribution, and the ever-evolving technological landscape. This holistic perspective allows it to provide a uniquely informed analysis of the forces shaping the industry.
A core mission of VideoAge is to demystify complex technological advancements, making them accessible to a broader audience. The publication strives to translate technical jargon into understandable terms, recognizing that not everyone possesses a deep understanding of the underlying technologies driving the industry. This commitment to clarity has made it a valuable resource for professionals across all sectors of the television ecosystem.
VideoAge offers a range of regular features, including the well-known “my2¢” editorial from Dom Serafini, providing his personal insights on industry trends. The publication also includes book reviews, company profiles, and previews of trade shows, festivals, and conferences around the globe, offering a comprehensive overview of the international television market.
Notably, all of VideoAge’s content has been available online since 1997, demonstrating an early commitment to digital accessibility. This long-standing online presence has allowed the publication to reach a wider audience and adapt to the changing ways in which industry professionals consume information.
With a circulation of 12,000, and an additional 4,000 copies distributed at trade markets, VideoAge International remains a vital voice in the global television industry. The publication, owned by TV Trade Media Inc. And published by Monica Gorghetto, continues to uphold its founding principle: a dedication to the business of buying and selling content. It’s, according to the publication itself, the only TV trade publication 100 percent devoted to that specific aspect of the industry.
Recent reporting from VideoAge International, as highlighted on February 4, 2026, includes discussions with Hollywood insider Len Grossi on navigating the changing television landscape, an evaluation of Warner Bros. Discovery (WBD) under the “JOD Lenses,” the unveiling of the 2026 London TV Screenings schedule, and news of a co-production between Globo and FES for a Christmas film set in Brazil. These examples demonstrate the publication’s continued commitment to providing timely and relevant coverage of the global television industry.
