Al-Marsad: Bay Bay London Reinterpreted – Al-Dabaan’s Prayer

Al -Marsad newspaper: The writer Mansour Al -Dabaan directed a sharp criticism of the Kuwaiti theater in his article in the Saudi newspaper Al -Watan, where he said: The pioneers in Egypt and Kuwait presented a model theater and immortal works. She misses deep drama, after she found herself drowning in trivialities that cannot be absorbed by effort, time and money, for her.

Since 1964

He continued: The Kuwaiti theater is from “I lived and saw” 1964, and even “the sniper of Khaitan” 2002, passing through “on Haman, Pharaoh”, “Skilled Salmiya,” Bay Bay London “, and other works that educate and illuminate before they were sparkled and laughing, was waiting eagerly, was a kiss, a kiss, a criticism, and a treatment.

The pioneers and their successors

Al-Dabaan added: The pioneers left, and behind them behind them, they dared to the stage, and because they believed that the theater is for money, fame, and “laughter”, they drowned and drowned in banality, and presented things- do not call works- that have nothing to do with art, no text, a plot, no performance, no respect for the recipient, failure that begins and ends at the time.

Critical thinking crisis

Stressing that the weak critical thinking of the recipient is a crisis, and a loophole exploited by the theatrical “dark groups” to mess with the value of the “theater” as a tool of criticism, the source of enlightenment, the torch of education, and a awareness worker, and I met a well -known theatrical star, he said: The text is 4 papers, and the period of display is 3 hours!

Disorder

He said: The Kuwaiti theater went through the stage of “illness”, and a group of intruders who think the theater only for laughter, and the “cats”- that is, the ophthalmates- expected the observers to heal, but he moved from the works that are not worthy of the value of the theater, to the return of old plays immortal from the time of the pioneers, and tampering with them, in full view and hearing from the concerned authorities!

Abdul Hussein Abdulreda

Al -Dabaan concluded his article by saying: Abdul Hussein Abdul -Ridha, and his companions, the love of Kuwait, the Kuwaiti accent, and the deep, revered theater, taught us, so we reject every vulgar action, so whoever is interested in saving the situation, and providing a virgin theater of value, in the context of respecting the recipient.