Cho Seong-jin’s Magical Efficiency at Carnegie Corridor: A Recap of the Unforgettable Night time

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Posted2024.05.23 17:50
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Cho Seong-jin’s “Carnegie Corridor Recital.”

‘Piano Sonata No. 34’ by Haydn
“Haydn’s Minuet” by Maurice Ravel
Reveal the presence of a younger virtuoso with an unknown track

Liszt’s final ornament is “Dante Sonata”
The straightforward interpretation of a minstrel stands out.
Responding to the viewers’s standing ovation with Chopin

Pianist Cho Seong-jin will carry out Liszt’s “Pilgrimage Years, Second 12 months: Italy” at Carnegie Corridor in New York on the seventeenth. /Jennifer Taylor Joseph Haydn (1732-1809) left 62 piano sonatas. Mozart composed 18 piano sonatas and Beethoven 32 piano sonatas, a substantial quantity even in comparison with these. Nevertheless, Haydn is healthier generally known as a composer of symphonies and string quartets than of piano. On the night of the seventeenth, pianist Cho Seong-jin’s recital opened on the stage of the Isaacton Auditorium of Carnegie Corridor in New York, USA, with Piano Sonata No. 34 by Haydn. He calmly guided the viewers into the unknown world of the grasp.

This track by Haydn is sort of a constructing made with restricted supplies. To stop such works from falling into the entice of simplicity or dullness, Cho Seong-jin rigorously added shade to every notice. Even within the quick actions, delicate tones stood out fairly than pleasure or humor. The following track performed was “Minuet within the Title of Haydn”, composed by Maurice Ravel in 1909 in commemoration of the centenary of Haydn’s dying. In any case, it isn’t a piece generally seen in live performance halls. It is a quick track that lasts lower than 2 minutes. Ravel didn’t use Haydn’s music or introduce any of his musical concepts into this work. As a substitute, he wrote a track utilizing the primary letters of Haydn’s title. This track was composed across the 5 notes -BADDG- which correspond to the surname CDEFGAB when Haydn’s title “HAYDN” is organized in alphabetical order. After briefly digesting the prop, which lasted lower than two minutes, he set off on a journey to Ravel’s “Tomb of Couperin M.68.” It was a repertoire that proved that Seong-Jin Seong, who joined the ranks of world-class performers after profitable the Chopin Competitors 9 years in the past, is now changing into an artist placing his personal path at Carnegie’s Isaacton Auditorium Corridor in New York. the place Seong-Jin Cho’s recital was held. / Jennifer Taylor Within the second half, she returned to the darkish stage, sat down in entrance of the piano and tilted her head again. After staring on the ceiling for some time, Cho Seong-jin gently positioned his lengthy outstretched left hand on the keyboard. Thus she started Liszt’s “12 months of Pilgrimage, 12 months 2: Italy.” This work is a group of seven songs impressed by the works of the painters and designers Raphael and Michelangelo, and the poets Rosa and Petrarch. It’s an hour-long masterpiece and is taken into account considered one of Liszt’s consultant works. Each second during which a piece expresses itself via efficiency is in itself lovely and nice. Cho Seong-jin dedicated to each notice and on the identical time seemed into the space.

The primary six songs are an extended journey to the final track. The ultimate seventh piece, often known as the ‘Dante Sonata’, explodes with essentially the most dramatic units in essentially the most Lisztian method. The actor’s expertise are absolutely revealed within the 20-minute lengthy drama. This track has a deep reference to Cho Seong-jin. In 2011, on the age of 17, Seong-Jin Seong carried out the Dante Sonata on the Tchaikovsky Competitors, profitable third place on the time. Thirty-year-old Cho Seong-jin, who we met once more at Carnegie Corridor, narrated such a heat track with a fairly chilly and painful magnificence. As a substitute of giving a uncooked efficiency that pours out her feelings and his power, he selected to place her in his place as if she have been an ideal puzzle. Nevertheless, his gaze was not dry or chilly. The place motive was put apart, class flourished. The sequence of octaves that appeared within the center was like a gallop of racehorses kicking up mud. The D main, returning on the finish of the opera after an excellent tremolo that appeared to shine eternally within the heavens, was like a shade symphony that appeared to be heard from heaven on the final day of the world.

Cho Seong-jin clearly solutions the query: “Why do now we have no selection however to play that method?” So there are not any clues about his enjoying. As a result of I can perceive why. After strolling via the lengthy tunnel, Seong-Jin Seong lastly smiled brightly as he obtained a bouquet of flowers from the viewers. After making seven curtain calls, she responded to the viewers’s applause by enjoying Schumann’s “Trouimerai” and Polonaise No. 6 by Chopin “Heroes”.

New York = Kim Dong-min, music director of New York Classical Gamers, visitor reporter for Arte