Cho Seong-jin’s Passionate Efficiency at Prague Spring Worldwide Music Pageant

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Got here in2024.05.26 17:39
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Jo Seong-jin, who returned to Prague after 8 years, roared with passionate vitality.

Prague Spring Worldwide Music Pageant Native Report

Seong-Jin Cho’s piano recital on the twenty fourth
Round 1,200 members of the viewers gave applause and cheers

Spends completely ‘Gaspard of the Evening’ by Label
Superhuman expertise and infinite creativeness stand out

Record of ‘Years of Pilgrimage’: ‘Italy’
Displays detailed interpretation and refined tone

Pianist Cho Seong-jin performs Ravel’s ‘Gaspard at Evening’ throughout the Prague Spring Worldwide Music Pageant held on the Rudolfinum Dvorak Corridor in Prague, Czech Republic on the twenty fourth. Offered by the Prague Spring Worldwide Music Pageant “It is already been 8 years since we held a recital right here. Time appears to move in a short time. “I used to be very comfortable to come back again and play once more, and I hope to have the ability to play right here once more sooner or later.”

That is what pianist Cho Seong-jin (30) stated within the reception corridor instantly after ending his efficiency on the Worldwide Spring Music Pageant in Prague, Czech Republic on the twenty fourth. The Prague Spring Worldwide Music Pageant is a consultant classical music pageant in Europe, together with the Salzburg Pageant in Austria and the Lucerne Pageant in Switzerland. As this can be a pageant visited by musicians referred to as ‘legends’, resembling maestro Herbert von Karajan and Leonard Bernstein, violinists David Oistrakh and Yehudi Menuhin, and pianists Sviatoslav Richter and Artur Rubinstein, they’ll carry out on a platform with a fairly well-known popularity for being a spot the place you do not even stand an opportunity.

All tickets for the efficiency have been bought out for the reason that starting of the yr.

Pianist Seong-Jin Seong greets the viewers after ending his efficiency on the Prague Worldwide Spring Music Pageant, now in its 79th yr. Offered by the Prague Spring Worldwide Music Pageant Pianist Cho Seong-jin’s recital, which was featured twice within the rigorous music pageant, was a sizzling matter within the native space proper from the beginning. Till he appeared on the primary stage of the Prague Spring Worldwide Music Pageant in 2016, he was a ‘beginner’ who had simply received the Chopin Competitors (2015), however now he has returned as a world-class pianist, following within the footsteps of pianists well-known Maurizio Pollini and Christian Zimermann. As if to point out its standing, the world across the Rudolfinum Dvorak Corridor on today was full of individuals 1 hour and half-hour earlier than the beginning of the efficiency, and there was an extended line of individuals ready to take footage subsequent to Cho Seong – jinn poster. The efficiency has been bought out since final January.

8:05 pm Cho Seong-jin, who slowly walked off the stage solely after the corridor fell silent, put his palms on the keyboard earlier than the applause had even completed. The core repertoire of Half 1 is ‘Gaspard de la Evening’, composed by Maurice Ravel, impressed by the prose poem of the identical title written by the creator Alois Bertrand. It’s well-known for being a posh piece that requires superhuman qualities and infinite creativeness from the pianist. Within the first tune, ‘Water Fairy,’ Seong-Jin Seong made the form of raindrops interspersed with a thirty second observe tremolo as vivid as potential by gently rolling his fingers as if grazing the keyboard, and within the second tune, ‘Gallows,’ the B-flat bell that means dying rang out with nice precision. Within the third tune, ‘Scarbo’ (Yokai/Crafty Fairy), which is taken into account probably the most troublesome piece within the historical past of the piano, the depth and strain of the keys, the motion of the pedals and the tone and reverberation results of the piano. , generally making a nervous ghost voice.

The best degree of perfection of Liszt’s ‘Dante Sonata’

Half 2 was full of a program of all Italian songs (songs 1-7) from Liszt’s ‘Yr of Pilgrimage’ piano collection. This masterpiece, which takes round 50 minutes to carry out, is stuffed with inspiration from the highly effective landscapes of Italy and the works of nice artists resembling Petrarch and Dante. Cho Seong-jin made refined variations within the temper and tone of every measure, leading to pure modifications in move, with out dropping the distinction between excessive and low notes, lengthy and brief notes, and connections and disconnections. The spotlight of this work is the final tune, ‘Studying Dante, Sonata-style Fantasia’ (Dante Sonata). Seong-Jin Cho evokes the darkish feelings of falling into an abyss together with his heavy keystrokes, however rapidly reveals hope for all times with clear colours and delicate touches, expressing ‘purgatory’ (a strategy of soul coaching the lifeless to scrub away the stays). sins earlier than coming into heaven). It did not focus an excessive amount of on emotion, and it did not present simply technical parts. If you happen to had been anticipating the dramatic impact of the passionate ardour generally present in Liszt’s works, you would possibly discover it boring, however the perfection of the efficiency was on the highest degree. He whispers the melody with a steady voice (a way of enjoying every observe clearly and distinctly), exact interpretation and steadiness, refined tone, and restricted quantity amidst a busy move of notes, after which immediately singing so onerous that his ft had been rising Liszt’s music world was completely roaring with the passionate vitality that got here from hitting the keyboard.

Six curtain calls, one encore

When Cho Seong-jin lastly hit the final observe and raised his hand within the air, the 1,200 viewers members stood up from their seats as if that they had made a promise. The nice and cozy cheers and applause that began this fashion did not appear to cease even after six curtain calls and one encore. “I didn’t participate within the Chopin Competitors to achieve fame. “I needed to make music.” That is what Seong-Jin Seong stated in an interview with the Czech day by day newspaper Hospodaske Novini eight years in the past, throughout the first efficiency of the Prague Spring Worldwide Music Pageant. The efficiency of Cho Seong-jin, who stated he would solely pursue music, was on a distinct degree in some ways. It was a platform that may very well be a solution to the query, ‘Why ought to it’s Cho Seong-jin yesterday and right now?’

Prague = Correspondent Kim Soo-hyun ksoohyun@hankyung.com