A unique theatrical experience is set to unfold in , at the Médiathèque La Sereine in Précy-sous-Thil, Côte-d’Or, France. “Impro’strophe,” presented by Compagnie Ça change un peu as part of the Arts et Scènes Côte-d’Or season, promises a playfully meta take on literary criticism and improvisation.
The premise is deceptively simple, yet ripe with potential for comedic and intellectual exploration. Three performers will embody the roles of literary critics, recreating the atmosphere of a 1970s television talk show – complete with low seating and, according to descriptions, bottles of whisky. However, instead of discussing established novels, they will be tasked with dissecting and commenting on books whose titles alone exist. The catch? Those titles will be invented in real-time… by the audience.
This isn’t a traditional play with a script. It’s a live, unscripted performance built entirely on audience participation and the improvisational skills of the Compagnie Ça change un peu. The show draws a clear, and likely intentional, parallel to the iconic French literary program “Apostrophes,” hosted by Bernard Pivot. Pivot’s show, which ran from 1975 to 1993, was known for its lively debates and often-contentious discussions about literature. “Impro’strophe” appears to be a loving, and decidedly more chaotic, homage to that format.
The Arts et Scènes Côte-d’Or season, organized by the Conseil Départemental, aims to bring a diverse range of cultural events to the region. The inclusion of “Impro’strophe” suggests a willingness to embrace innovative and unconventional theatrical forms. The Conseil Départemental’s commitment to the arts is evident in their support of Compagnie Ça change un peu and their broader programming efforts.
What sets “Impro’strophe” apart is its inherent unpredictability. The success of the performance will hinge not only on the performers’ ability to think on their feet but also on the creativity and wit of the audience. A bland title will likely yield a dull critique, while a particularly evocative or absurd title could spark a genuinely insightful – or hilariously misguided – analysis. The dynamic between the performers and the audience is therefore central to the show’s appeal.
The performance is free to attend, removing a potential barrier to entry and encouraging wider participation. This accessibility is a key component of the Arts et Scènes Côte-d’Or initiative, making cultural experiences available to a broader segment of the population. The Médiathèque La Sereine, located at 6 Rue du Serein, 21390 PRECY-SOUS-THIL, will serve as the venue for this unique event.
Compagnie Ça change un peu, the company behind “Impro’strophe,” has a reputation for creating playful and thought-provoking performances. Their work often blends elements of theater, comedy, and improvisation, challenging conventional theatrical norms. The company’s willingness to experiment with form and engage directly with the audience is a hallmark of their artistic approach.
The show’s concept taps into a broader cultural fascination with literary analysis and the subjective nature of interpretation. While “Apostrophes” represented a more formal and academic approach to literary criticism, “Impro’strophe” offers a deliberately irreverent and playful alternative. It’s a reminder that engaging with literature doesn’t always have to be a serious endeavor; it can also be a source of entertainment and amusement.
For those interested in attending, further information can be obtained by contacting the organizers at . The event was initially publicized on , indicating a significant lead time for promotion and anticipation building within the Côte-d’Or region. The show’s inclusion in the Burgundy tourism calendar further suggests its potential to attract visitors to the area.
“Impro’strophe” isn’t simply a theatrical performance; it’s a social experiment, a literary game, and a tribute to a bygone era of television. It’s a chance for audiences to become active participants in the creative process, shaping the narrative and challenging the boundaries of traditional theater. The show’s success will depend on the willingness of both performers and audience members to embrace the unexpected and revel in the absurdity of it all.
