“Fighting Knives in the Snow” starts broadcasting, attracts attention to whether the dream of martial arts can be rekindled
2021-12-18 10:51:10Source: Xi’an News Network
Chinanews.com, Beijing, December 17 (Reporter Gao Kai) Based on the novel of the same name by Zongzhong Chinese.com for many years, the well-known screenwriter Wang Juan wrote. The cast includes Zhang Ruoyun, Li Gengxi, Hu Jun, etc., “Snow in the Snow” It is almost inevitable that the launch of “Fighting Swordsman” will attract the attention of the whole network.
The drama version of “The Fight with the Knife in the Snow” tells the story of Xu Fengnian (played by Zhang Ruoyun), who is “the world’s number one young man”, who is a completely different from his father Xu Xiao (played by Hu Jun). The story of martial arts, becoming a warrior, fighting against the fate, using his own body to carry the battle flag of the Northern Stars, and finally becoming a qualified successor to the king of Northern Stars.
Since its launch on the 15th, this popular work has aroused heated discussions in the online world, from the plot to the characters, to the atmosphere of the entire series-like all adaptations, the more the original work has more fans, the more controversy. It is inevitable. And it is precisely in this discussion that people’s enthusiasm for the dream of martial arts is particularly prominent. In fact, for many audiences, from Jin Yong, Gu Long to later many Internet gods, including the princes of Fenghuo Opera, the attraction of martial arts arena It can be said that strength has never weakened.
Since film and television works are often more vivid and vivid than textual descriptions, they can attract the attention of the audience. Whether each IP adaptation can make this dream of the rivers and lakes “come true” on large and small screens becomes an audience with “dreams” in their hearts Whether we can get one of the important factors to measure the satisfaction of watching the drama.
As a work of “Born to the Net”, the special thing about “Snow in the Snow” lies in its focus on the martial arts arena. It is different from the more common fantasy main hits in recent years. To a large extent, the story mode carries a very strong shadow of classic martial arts novels and TV dramas. While the “Xia” in it also inherited the classic martial arts model, new changes have appeared, and the emergence of this change is also closely related to the development of the Internet in the early new century.
This big production is quite retro from the beginning. There is no high-density information output of the big scene, but a life-like plot cut into it. Xu Fengnian (played by Zhang Ruoyun) and Jian Jiuhuang (played by Yang Haoyu) are “walking” all the way. A picture of the rivers and lakes slowly spread out. The temple is high, the arena is far, the dark tide is surging, the swords are staggered, after the prologue, the dream of the knight is secretly opened.
The final trailer can be glimpsed in one or two, starting with a question “How do you think the world?” But above the temple, the situation is treacherous. Facing the overall situation of the world, Beifang King Xu Xiao told his son Xu Fengnian to be in charge of Beifang, that’s all! But Xu Fengnian wanted to walk a different path from his father Xu Xiao, not afraid of undercurrents and breaking the water, facing the sword, guns and sword rain, for the sake of the rivers and lakes; Jiang Ni, the former subjugated princess and the servant of the royal palace, is as helpless as duckweed. To survive without support, but still stubbornly, is for the arena; Nangongpu shoots double swords to metaphor the world and the heart, it is for the world; the sword god Li Chungang instructs Xu Fengnian to cut off the fear in his heart, break through the shackles and walk the path of his own choice, for the arena ……A martial arts world with a great Jianghu atmosphere is quite exciting.
“Fighting Knives in the Snow” integrates elements such as rice wine, bad horses, swords and shadows, family and country justice, temple situation, innocent heart, chivalrous courage, and family discussion, etc., not only let the audience recall the long-forgotten spirit of martial arts in their hearts, but also Aroused the audience’s longing and yearning for the knights and lakes, and rekindled the martial arts dream in their hearts.
It is worth mentioning that the traditional oriental aesthetics displayed by the play as a whole, from the pictures full of ink and national style to the soundtrack that fully demonstrates the beauty of white space, all have become an indispensable part of this martial arts dreamland.
Everyone has a dream of a rivers and lakes, and everyone has a knight heart. Most of the audience’s love for the dream of the rivers and lakes stems from their envy of pleasure and enmity. A horse, a pot of wine, a knife, and a chivalrous heart have been so since the beginning of Jin Yong’s martial arts drama decades ago. However, Xu Fengnian’s dream of the rivers and lakes created by the audience shows a little bit different from the past. Taking the lines of “Sweet Knife in the Snow” as an example, compared with previous works of the same kind, the overall appearance is more youthful, and the tone of light comedy is quite different. It is both pleasing and easier to convey the more modern core interpretation of “the great man” in this new Jianghu dream. (Finish)
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