Get Ready for a Night to Remember: Hiromi Iwasaki Takes the Stage in 2024
Hiromi Iwasaki Concert 2024: A Timeless Showa Era Pop Song Exploration
As a long-time fan of Hiromi Iwasaki, also known as Hirorin, I was thrilled to attend her concert at Tiara Koto. The experience exceeded my expectations, and I was blown away by her enduring talent and charm.
Hirorin, now 66, has been active in the music industry for an impressive 49 years. Her connection to the venue was evident, as she shared stories about her kindergarten graduation ceremony and coming-of-age ceremony being held at the predecessor hall.
I’ve been a fan of Hirorin since childhood, drawn to her unique personality and mysterious nature. Her songs, such as “Lullaby of the Virgin Mary,” “Violet Tears,” and “Homeward,” have been etched in my memory. I recall singing “Violet Tears” with my cousins during a summer vacation singing contest, which was an unusual choice for a young boy.
As one of the most representative divas of Showa-era pop music, Hirorin has released many great songs throughout her career. I’m particularly fond of her songs from the Heisei era, such as ”Just for Love” written by Nakajima Miyuki, “The Beginning Poem, for You” written by Oe Senri, and ”Poem of a Friend” written by Nakamura Ataru.
Although Hirorin’s singing voice has changed over the years, she has adapted by lowering the key of her songs and using falsetto. Her mid-low range remains stable, and her voice has become mellower, making it easier to listen to.
The concert was divided into two parts, with the opening song being “The Poem of the Beginning, To You,” which got me excited. I’ve always loved this song, and I think Hirorin’s version is superior to Misato Watanabe’s.
The concert featured a medley of hits from Hirorin’s younger days, including up-tempo songs. Although I would have liked to hear more, she sang at least one chorus of each song. The second part of the medley included my favorite song “Watashitachi,” which was sung in full.
Hirorin is also known for her role as the first Fantine in the Toho musical “Les Miserables.” She played this role for a long time, and it’s a testament to her talent and dedication. I was touched by her performance of “Dreams Broken,” which showcased her vocal range and emotional depth.
The concert also featured songs by Masashi Sada, whom Hirorin worships as a “living god.” These songs were great, and Hirorin’s affinity with Masashi’s music was evident.
The audience was enthusiastic, with some fans even coordinating their calls and light stick waving. However, they were respectful of other audience members, which was great to see. As a fan, it’s rewarding to know that Hirorin has been active for half a century, and I’m excited to see what she has planned for her 50th anniversary next year.
Hirorin’s music has evolved over the years, and she now sings songs about everyday life and life. This shift in focus has made her music more relatable and endearing. I’m looking forward to her next concert and the “major announcement” she’ll make on her birthday in November.