London’s The Nickel Revives Grindhouse⁣ and Exploitation Films

Tucked⁢ away ⁤in central London,the Nickel,a red ‍building adorned with an image from The Man with the‍ X-Ray​ Eyes,offers a ‍unique cinematic experience. Founded by filmmaker Dominic Hicks, this micro cinema celebrates the gritty charm of retro American grindhouse theaters, showcasing boundary-pushing B-movies and ⁢deranged gems of exploitation cinema.

Hicks describes The Nickel​ as “a ⁢safe place for weirdos and outsiders,” providing an ​choice to mainstream‌ cinema. June’s screenings include a diverse range of ​films, from Todd ​Browning’s silent horror The Unknown to Roman Polanski’s erotic thriller Bitter⁣ Moon. The programming,‌ inspired ⁢by London’s scala⁢ cinema, embraces ⁣an anything-goes ⁢approach.

The nickel is part⁣ of a growing European movement of DIY film clubs and hyperlocal venues that challenge the dominance of streaming services and multiplexes. These repertory pop-ups, like Liverpool’s‍ trans-inclusive ‘Paraphysis Cinema’ and the feminist-themed ‘Tonnerre’ in Paris, foster a sense of⁣ community and⁤ shared revelation.

Hicks⁣ emphasizes the importance of these ​community‍ spaces for bringing people​ together​ to discuss movies. ​”You don’t have to all feel the same, but the idea of being challenged, ⁤or‌ getting the⁢ giggles together about ​some strange​ little forgotten gem, is‌ always going to be entertaining,” he said.

“I like films where the beauty in ⁢them comes through how ⁤the‌ audience receives and ⁤nurtures them in their collective inventiveness,” Hicks said. “Whether it’s the practical effects, or⁤ the score, or the​ bad⁤ acting that they find really quotable — ⁤it​ belongs ‍to the⁤ audience in the long run.”

Hicks prefers​ the moral ambiguity ⁤of 1970s films,believing that audiences are intelligent enough to challenge what they see ⁣on screen. This contrasts with the “new​ literalism” in ⁢contemporary cinema, where meanings ⁣are often explicitly spelled out.

Before establishing⁢ a permanent space with⁢ nearly £14,000 in crowdfunding,⁤ Hicks ran‍ The Nickel as an event program⁣ at ⁣a⁤ local pub and The Cinema Museum,‍ often screening rare 16mm prints. This focus on‍ physical media taps into a desire ‌for a more tangible connection with art, similar to the vinyl revival.

“You ‍can’t ​come ⁣close ‌to⁢ the aesthetic⁢ experience of watching an original film print being projected in ⁣public when you’re streaming‍ things digitally,”‌ Hicks said.

The Nickel’s basement ⁢bar will serve as a communal‌ hub for film-related workshops, with plans for ‍collaborative projects and​ screenings. Hicks⁣ is excited about working “on weird shit” with others.

Despite challenges facing independent cinemas, with almost a third of UK independent cinemas under threat⁣ according to the independent Cinema ‍Office (ICO), Hicks remains optimistic. ​He believes ‍that​ smaller, independent‌ cinemas offer a ⁤more compelling experience than multiplexes.

“I think we’re ⁣seeing a return to that neighbourhood, smaller, independent cinema, because ⁤multiplexes don’t give people a compelling enough reason to leave their sofas,” he explained. ⁤“But I have faith that people won’t surrender something so essential⁤ as the experience of going‌ to the movies. I really hope not, anyway.‍ And if they do, it’ll be a hill worth dying on for ​me.”

What’s next

The Nickel aims to foster a community ‌of ⁢film lovers ‌and creators, offering a unique space for experiencing and celebrating exploitation ​films⁣ and other cinematic oddities. The cinema ⁤officially opens June 11 in London.