Alex Russell, the writer and director of the breakout psychological thriller Lurker, used his acceptance speech at the 2026 Film Independent Spirit Awards on Sunday to reflect on the risks taken by those who support independent filmmaking.
Russell’s film took home the award for best first screenplay. In his remarks, he drew a parallel between the vulnerability of supporting new voices in cinema and a pivotal scene in the 2007 animated film Ratatouille. “There’s this part of Ratatouille near the end where we go into the food critics POV, and he’s talking about how most of the time he’s like, hating on everything, but where he feels the most valuable is when there’s a new voice and he has to take a risk,” Russell said on stage.
He continued, “In the case of first features, so many people had to be that food critic in Ratatouille and say, ‘Okay, maybe let’s give this kid a chance, even if it makes us look stupid.’ And that can mean anything from putting up financing to just, like, forwarding an email, but it can amaze you how much no one cares at the beginning, and then it’s so much more meaningful when someone does.”
Russell acknowledged the initial uncertainty faced by first-time filmmakers, confessing a moment of self-doubt. “When you’re trying to make your first movie, you’re kind of like, why isn’t everyone giving me one to $3 million right now, even though I’m a random nobody with no experience,” he said. “And then you get into it, and you’re like, wow, you guys really are letting me do this.” He expressed gratitude to those who were willing to “look stupid” and invest in emerging talent, emphasizing that without their support, many aspiring filmmakers would remain just that – aspiring.
Ratatouille, released in 2007, centers on a rat named Remy who dreams of becoming a chef in Paris. The film garnered critical acclaim and won the Academy Award for best animated feature.
Lurker, which premiered at the 2025 Sundance Film Festival, was nominated for several awards at the Spirit Awards, including best first feature, best lead performance for Théodore Pellerin, and best supporting performance for Archie Madekwe. The film explores the complex dynamic between a rising musician and a devoted fan whose admiration takes a dangerous turn. It competed for the best first feature award against Andrew DeYoung’s Friendship, Elena Oxman’s Outerlands, Syreeta Singleton’s One of Them Days, and Constance Tsang’s Blue Sun Palace.
Prior to his directorial debut, Russell worked as a writer on the television series Beef and The Bear, according to web search results. His transition from television writing to directing marks a significant step in his career, establishing him as a notable voice in independent cinema.
