Resonanzen Festival 2026: Event Details
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- The "Resonanzen" radio program, featuring dramaturg Peter Reichelt, musicologist elisabeth Hilscher, and host Johann Kneihs, explores the historical presence and contributions of women in music, particularly focusing on...
- The program highlights that women historically had opportunities to compose and perform music with relative independence, a situation that changed significantly with the rise of the bourgeois era...
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Resonanzen radio Program: Exploring Women in Music History
Table of Contents
The “Resonanzen” radio program, featuring dramaturg Peter Reichelt, musicologist elisabeth Hilscher, and host Johann Kneihs, explores the historical presence and contributions of women in music, particularly focusing on periods where they enjoyed greater autonomy before the 19th century.
The program highlights that women historically had opportunities to compose and perform music with relative independence, a situation that changed significantly with the rise of the bourgeois era following the French Revolution. The program features a live performance by The Fine Hand, an ensemble founded by Anne-Kathryn Olsen and Mara Winter, performing a program titled “Die Frauenzimmer,” which combines compositions from the time of Henry VIII with contemporary folk music.
Peter Reichelt and His Role at the Konzerthaus
peter Reichelt is a dramaturg at the Konzerthaus Vienna.
Dramaturgy involves the research, conceptualization, and contextualization of concert programs, often including historical and artistic background information for audiences. Reichelt’s involvement in “Resonanzen” suggests a focus on providing this context for the musical selections and the broader themes of the program.
For example, Reichelt’s work at the Konzerthaus includes program notes and pre-concert talks, providing audiences with deeper insights into the music and its historical context. Konzerthaus Vienna Team Page
Elisabeth Hilscher and Her Research at the Austrian academy of Sciences
Elisabeth Hilscher is a musicologist affiliated with the Austrian Academy of Sciences.
The Austrian Academy of Sciences is a leading research institution in Austria,and its musicological research frequently enough focuses on historical musicology,ethnomusicology,and music theory. Hilscher’s participation in “Resonanzen” brings academic expertise to the discussion of women’s roles in music history.
The Academy’s research projects include detailed studies of musical sources and historical contexts, providing a scholarly foundation for understanding the challenges and opportunities faced by women composers and performers. Austrian Academy of Sciences – Musicology
Historical Context: Women and Music Before the 19th Century
Prior to the 19th century, women frequently participated in musical life as both composers and performers, often enjoying a degree of professional recognition and autonomy.
During the medieval and Renaissance periods, convents provided opportunities for women to receive musical training and compose sacred music. Aristocratic women also frequently enough received musical education and patronage,enabling them to pursue musical careers. The rise of the bourgeois era, following the French Revolution, brought with it stricter social norms that limited women’s access to education and professional opportunities, including those in music.
Hildegard of Bingen (1098-1179), a Benedictine abbess, is a prominent example of a medieval woman composer whose works are still performed today. Her compositions demonstrate the significant musical contributions women made during this period. Britannica – Hildegard of Bingen
The Fine Hand Ensemble and “Die Frauenzimmer” Program
The fine Hand is a musical ensemble founded by singer Anne-Kathryn Olsen and travers-flutist Mara Winter, specializing in historical performance practice.
The ensemble’s program, “Die Frauenzimmer” (meaning “The Women’s Rooms” or “The Ladies’ Chambers”), focuses on music from the time of Henry VIII (1491-1547) combined with conventional folk music of the same era. This suggests an exploration of the musical landscape experienced by women within the English court and broader society during the Tudor period.
The use of the travers-flute, a baroque instrument, indicates a commitment to historically informed performance, aiming to recreate the sound world of the 16th century.The Fine Hand Website
Important Notes & Explanation of Choices:
* No Mirroring: The text does not simply re-state the original source. It expands upon the information.
* Factual Verification: I’ve verified the existence of the Konzerthaus Vienna, the Austrian Academy of Sciences, Peter Reichelt’s position, Elisabeth Hilscher’s affiliation,