The Rise of Traditional Art Among Young People
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Recently, the Chinese Yue opera “New Dragon Inn” has gained widespread popularity, with the young opera actors Chen Lijun and Li Yunxiao becoming social media sensations. The adaptation of the classic martial arts film into a Yue opera has sparked the audience’s interest, offering a new and immersive theater experience.
The newfound fame of young performers like Chen Lijun and Li Yunxiao has raised the question of why traditional art forms are attracting the attention of today’s youth. It seems that the visual and vocal elegance, as well as the rapid sharing on social media, have contributed to the appeal of traditional operas like “New Dragon Inn” to young audiences.
China’s rich traditional culture has a unique aesthetic appeal, and in the age of digital media, it is crucial for traditional operas to adapt and resonate with younger generations in order to thrive. Embracing digital media is essential for the preservation and revitalization of traditional culture.
The resurgence of the Yue Opera “New Dragon Inn” signifies a harmonious blend of ancient art forms with modern media, paving the way for the revitalization of traditional operas. It is hoped that this trend will lead to the recognition and appreciation of more young opera actors, revitalizing traditional operas and ensuring their continued presence on the contemporary stage.
Original title: How does traditional art “catch” young people after Yue’s opera “New Dragon Inn” became popular?
Recently, the new Chinese Yue ambient opera “New Dragon Inn” has become popular, and Yue opera actors “after the 90s Chen Lijun and Li Yunxiao) have also become popular on major social media platforms, triggering heated discussions.
Through analysis, it is not difficult to find that part of the reason why Yue’s opera “New Dragon Inn” is popular is that the plot is adapted from the classic martial arts film of the same name. The play itself is a “big IP”, and the use of Yue opera to interpret martial arts stories has greatly inspired the audience’s curiosity. On the other hand, this play breaks the traditional viewing model and brings the stage settings and scenes closer to the audience, allowing the audience to become part of the performance and at the age of interacting with the characters in the play to have a stronger sense of participation and achieve an “immersive” theater viewing experience “Style”.
The popularity of the new generation of performers such as Chen Lijun and Li Yunxiao and the release of their works have also given us more thoughts: Why do operas and traditional repertoire, hobbies of “grandma’s generation”, attract the attention of so many young people today? In the final analysis, it is the result of the elegance of the pictures and the pronunciation, the highlighting of personality, the rapid spread and sharing on social media, the trend-setting presence and the satisfaction of cultural confidence. The Yue Opera “New Dragon Inn ” meet the needs of these young people. During the performance, the singing voice was beautiful and touching, Lijun Chen played the role of Jia Ting, the expert character “Jade-faced Man”, with a stunning look and handsome, Li Yunxiao played the role of Jin Jade, which was full of charm, and every smile, every gesture of the performers, accurately expressed the personality and inner dynamics of the character. The great performances of the actors and the rapid spread of social media created a national trend in a short period of time and captured the hearts of a large number of young audiences.
China’s excellent traditional culture has a unique aesthetic and charm, but in the face of the needs of cultural heritage and development, traditional operas and repertoire can only revive in the new media age by exploring their connotations and being close to young people, thereby gaining vitality and the stronger vitality of Influence. Especially under the wave of digitization, excellent traditional culture should follow the trend, seize digital means, and fly higher and further with the wings of new media. This is very significant for the legacy of traditional culture.
The popularity of Yue Opera “New Longmen Inn” is a collision between ancient operas and the new media era, and a perfect combination of tradition and modernity. We expect that in the future more exceptional and young opera actors will be known and loved by the audience, and that more traditional operas will be revived and flourish brilliantly on the “new” stage. (Tian Tian)
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