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‘Song of Death 3’ ratings rise after Lee Min-young’s death… ‘Twenty-five Twenty One’ ranked first in weekend drama

Song-Won (Lee Min-Young), who was born in ‘Song of Destiny 3’, died suddenly after giving birth, unable to breathe. The viewer ratings also increased due to the stimulating development. TV Chosun ‘Marriage Lyricist, Divorce Composer 3’ video capture

‘Marriage Lyricist, Divorce Composition 3’ showed a rise in viewership ratings as it dealt with the death of Lee Min-young.

According to Nielsen Korea, a ratings research company on the 28th, TV Chosun’s ‘Marriage Lyrics, Divorce Composition 3’ (hereinafter ‘Sorry Song 3’), which aired on the 27th, recorded 6.7% nationwide and the highest rating per minute was 7.1%. This is the record for the highest viewership ratings for all episodes in the same time period. This is an increase from the previous episode’s rating of 6.3%.

On this day’s broadcast, Sa Pi-yeong (Park Joo-mi), who is concerned about her daughter Ji-ah (Park Seo-kyung), who is possessed by Shin Ki-rim (Noh Joo-hyeon), and Seo-ban (Moon Seong-ho), Si-eun Lee (Soo-kyung Jeon), and her ex-husband Pan Pan-hyeon (Kang Shin-hyo) find out the true identity of Seo-ban (Sung-ho Moon). It tells the story of Bu Hye-ryeong (Lee Ga-ryeong) who heard the news of a sad news.

Song-Won (Lee Min-Young), who gave birth safely at sea, embraced the child with a happy smile, but her breathing soon became unstable. Pan Mun-ho (Kim Eung-soo) and So Jeong-jeong (Lee Jong-nam), who were in a festive mood after hearing the news of the birth of their son from the doctor, fell into a panic. Pan Moon-ho fainted at the unbelievable fact, Pan Pan-hyeon hugged the dead Song-won and cried, and raised curiosity as she could not close her eyes until the moment Song-won died, who was having a funeral with a cold body.

On this day, tvN’s ‘Twenty-Five Twenty One’ recorded 9.8% based on paid households. It has entered the 9% range in earnest and is approaching the 10% range. JTBC’s ‘People of the Meteorological Administration: A Cruel History of In-House Dating’ recorded 7% nationwide and 8.1% in the metropolitan area. As such, the weekend dramas are filled with various genres, and the overall ratings pie has also been expanded. Accordingly, attention is focused on whether ‘Twenty-Five Twenty One’ will be able to secure the throne of the weekend drama.

Dabin Woo reporter