Jon Kudelka, the Walkley-winning Tasmanian cartoonist whose work graced the pages of the Hobart Mercury, The Australian, and The Saturday Paper for over three decades, has died at the age of 53. His family announced his death on Sunday, , with news spreading widely on .
Kudelka’s passing follows a two-year battle with glioblastoma, an aggressive form of brain cancer, after his diagnosis in early . He faced the illness with what his family described as “characteristic humour,” reportedly quipping “good times” even as his health declined.
Born and based in Tasmania, Kudelka’s cartoons were known for their sharp wit, insightful political commentary, and a distinctive, economical drawing style. He wasn’t afraid to skewer politicians, earning him both admirers and, presumably, a few enemies whose offices nonetheless displayed his work, according to a statement released by the Kudelka Shop. His cartoons weren’t simply jabs; they were often imbued with “dry wit and compassion,” reflecting a deep engagement with the issues of the day.
His career began in at the Hobart Mercury, and he continued to contribute to the publication alongside his long-running stint with The Australian – a relationship spanning twenty years – and later, The Saturday Paper. Throughout his career, Kudelka created over 10,000 cartoons, leaving behind a substantial body of work that captured the Australian political and social landscape.
The accolades Kudelka received throughout his career underscored his talent and influence. He was twice recognized as the Museum of Australian Democracy’s Cartoonist of the Year and earned two Walkley Awards, Australia’s most prestigious journalism prize. His 2016 cartoon about Pauline Hanson’s return to federal politics remains a particularly memorable example of his ability to distill complex political moments into a single, impactful image.
News of Kudelka’s death prompted an outpouring of grief and tributes from fellow cartoonists and media figures. Mike Bowers, host of Talking Pictures on ABC Insiders, described him as a “national treasure” and a “genuinely decent human being.” Bowers highlighted the quality of Kudelka’s gags and the deceptively simple elegance of his drawing style, noting that his cartoons were consistently “LOL” – laugh-out-loud funny.
Kudelka’s impact extended beyond the newsprint and digital pages where his work appeared. He and his wife, Margaret, also an artist, operated a shop in Hobart’s Salamanca Arts Centre, selling his artwork and further connecting with the local community. This venture underscored his commitment to art in all its forms and his desire to share his creative vision directly with the public.
He is survived by his wife, Margaret, and their teenage children, Kay and Oskar. His family’s statement emphasized his love for his family and friends, his dedication to his art, and his unwavering commitment to challenging “political and anti-science bullshit.”
“Jon’s presence remains in the love he gave and the lives he touched. He will always be with us,” the family said in their announcement. His legacy will undoubtedly live on through his extensive body of work, which continues to offer a potent blend of humor, insight, and social commentary.
Kudelka’s death marks a significant loss for Australian cartooning and journalism. He was a voice that consistently challenged power, provoked thought, and, above all, made people laugh. His absence will be keenly felt by those who admired his work and those who knew him personally.
