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Original title: Excavating the combination of poetry and painting leads the trend of appreciating poetry and painting
Pan Jiaojiao
Since the autumn, a trend of appreciating poetry and painting has become popular, and its source is the large-scale cultural program “Poetry and Painting of China” launched by China Central Radio and Television Station.
This program selects almost 60 paintings and hundreds of poems from the history of Chinese culture and combines them. With the help of modern technology and various art forms, it interprets the style of poetry and painting full of the flavor of the time. As of the fourth episode aired, the show has surpassed 180 million video views across the network, and has gained more than 250 hot search lists on social platforms.
Nowadays, many cultural programs focusing on classic carriers such as ancient books and cultural relics have landed on the screen. However, this time, “Poetry and Painting China” was still fast “emphasis the siege”, not only because the program discovered a new style and a new perspective of “poetry and painting”, giving refreshing look and feel to the public, but also because the program is rooted in the quality of the content, and will pay a lot of attention to “beauty and painting”. “Exploration and expression” has been pushed to new heights, and has received astounding public attention.
Romantic poetry is the beginning of Chinese literature, while Chinese paintings full of significance embody the unique aesthetics of the Chinese people. Poetry and painting is the way the Chinese nation looks at the real world, and it also reflects the spiritual world that has been filled from generation to generation. But these days, when it comes to poetry and painting, many people think there is a distance, and there is a certain threshold of appreciation.
And a television program, how to make the art of poetry and painting “fly to the homes of ordinary people” again?
Immersion is the answer to the problem found in Poetry and Painting China. The program takes Chinese classical paintings as a content carrier, and uses classical poems to trigger the spiritual core in it. The fusion makes the classical poetry and painting “alive”.
The mountain scenes of “Taith i Mnynydodd a Nentydd” have been recreated in three dimensions by CG technology, and the three people in the painting who have not met for thousands of years can share the joy of the landscape; The dancers use the “sword dance” which combines rigidity and softness to restore Mrs. Gongsun; the fiery life of the Southern Song Dynasty was revealed in “The Merchant” on a child’s “traveling” trip… What is set before the The audience of this time is not a pile of old yellow paper or a plain silk canvas, but a world very beautiful and infectious that the elders saw and thought.
The integration of various artistic methods adds to this poetic and pictorial feeling. It reproduces the unique charm of the brush strokes of “Qing Palace Opera Paintings” with a wonderful Peking Opera for children, reproduces the tenacious posture of bamboo of “thousands of hardness and ten thousand blows, but also strong strength” with a combination of strength and softness in craft fight , and illustrates with a combination of narration and pipa performance The rhetorical synaesthesia of “big beads and small beads falling on a jade plate”… The “processing” of multiple arts, ancient and modern, Chinese and foreign, makes the sentimental charm infiltrated in ancient paintings is alive and vibrant, and makes the abstract ideological will in ancient poems evident Creating a cultural experience that resonates strongly.
“Beauty” is not only reflected in the eyes and ears, but also flows in the hearts of the audience.
Adhering to the appreciation concept of “painting in poetry and poetry in painting”, “Poetry and Painting of China” takes the classics as the cut and the mind as the guide to show the public the multiple forms of “poetry and painting” – or the poetry of classic creations that combine paintings, such as Wang Mian’s “Ink Plum” and the inscription poem “Ink Plum”; or a tribute to literati who inspired each other with poetry and painting, such as “Xunyang Pipa Tu” by Qiu Ying, which is taken from Bai Juyi There may be poems and paintings that are far apart and linked by a theme common, such as Wang Wei’s “deep and quiet alleys, empty courtyards and leisure” written by Wang Wei, which is exactly the same as the artistic concept of “Jianggan Xue Ji Tu” Convergence… In the combination of language art and plastic arts, Chinese Poetry and Painting is deeply rooted in the cultural roots, spreading a magnificent picture of Chinese culture with profound meaning.
Creative transformation and innovative development have stimulated the meaningful charm of traditional culture. From the “audio-visual beauty” that impresses the senses to the “beauty of connotation” that stirs the soul, “Poems and Paintings China” draws timeless cultural essence from classical works, creating artistic themes new “unpopular”. .
With the broadcast of the program, “Poetry and painting of China” with vivid charm and great atmosphere goes to the heart of more audiences. “Immersing into the painting, a panoramic view of the painting, this is an immersive aesthetic pleasure” “It makes some seemingly incomprehensible art easy to understand” “Everything is fresh , everything they are all alive, and ancient paintings are no longer just lifeless cultural relics”… Experts, scholars and industry media from the fields of art, poetry, music, education and other fields also paid attention to the program and praises it.
