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Martin Scorsese Praises 2024 Horror Hit 'I Saw the TV Glow' - News Directory 3

Martin Scorsese Praises 2024 Horror Hit ‘I Saw the TV Glow’

November 30, 2024 Catherine Williams Entertainment
News Context
At a glance
  • Martin Scorsese recently expressed his admiration for the horror film "I Saw the TV Glow," directed by Jane Schoenbrun.
  • "I Saw the TV Glow" is part of a new wave of horror films that reflect internet aesthetics and nostalgia for the late '90s and early 2000s.
  • The film, produced by A24, has been labeled as one of the best under-the-radar horror movies of 2024.
Original source: slashfilm.com

Martin Scorsese Praises “I Saw the TV Glow”

Martin Scorsese recently expressed his admiration for the horror film “I Saw the TV Glow,” directed by Jane Schoenbrun. Scorsese described it as emotionally and psychologically powerful. He watched the film about two weeks ago and was moved by its depth. He stated, “It builds on you, in a way.”

“I Saw the TV Glow” is part of a new wave of horror films that reflect internet aesthetics and nostalgia for the late ’90s and early 2000s. Other notable films in this movement include “Skinamarink” by Kyle Edward Ball and “The Outwaters” by Robbie Banfitch. These movies explore themes such as obsession with media and the experiences of trans youth.

The film, produced by A24, has been labeled as one of the best under-the-radar horror movies of 2024. Its narrative centers on a fictional late ’90s TV show, “The Pink Opaque,” and how it affects viewers, particularly trans youth. Critics have noted its unique take on childhood memories and online culture.

Schoenbrun reacted joyfully to Scorsese’s praise, sharing her excitement on social media. She mentioned feeling honored to be connected to a legacy of influential filmmakers.

Scorsese’s recognition of “I Saw the TV Glow” highlights its significance in contemporary cinema. It shows support for innovative filmmakers pushing boundaries in storytelling and visual style. This endorsement may help bring similar creative works into mainstream cinema, challenging the dominance of CGI-heavy blockbusters.

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