On va s’aimer condamné pour plagiat, Gilbert Montagné se pourvoit en cassation
‘On Va S’Aimer’ Plagiarism Case Heads to France’s Highest Court
Table of Contents
- ‘On Va S’Aimer’ Plagiarism Case Heads to France’s Highest Court
- french songwriters Win Long Battle Over Plagiarism, but Fight for Royalties Continues
- Did Gilbert Montagné Really Write “On Va S’Aimer”? Legal Battle Over Songwriting Credits Continues
- Hitmaker didier Barbelivien Calls on Fans to Weigh In on Copyright Dispute
- french Songwriting Duo’s Victory Over Plagiarism Leads too a hard-Fought Royalty Battle
Paris, France – After a decades-long legal battle, the Paris Court of Appeal has ruled that Gilbert Montagné’s 1983 hit “On Va S’Aimer” is partially a copy of Italian singer Gianni Nazzaro’s 1976 song “Une Fille de france.” The decision upholds a 2012 Italian court ruling.
Montagné’s lawyer, Gilles-William Goldnadel, confirmed to the Associated Press that he has appealed the decision to France’s highest court, the Cour de cassation. goldnadel also revealed that a new expert analysis is underway in Italy, signaling that the legal fight is far from over.
The case centers around striking similarities between the melodies of the two songs.
Didier Barbelivien, the lyricist for both “On Va S’Aimer” and “Une Fille de France,” expressed his optimism to Le Figaro despite the ongoing legal saga. He finds the protracted nature of the dispute perplexing, noting that it has spanned 26 years, encompassing both Italian and french legal proceedings.
Barbelivien, who is not a party to the Italian lawsuit due to his authorship of both songs, remains hopeful for a resolution.
The case has captivated the French public, raising questions about plagiarism in the music industry and the complexities of copyright law. The outcome of the appeal to the cour de cassation will have notable implications for both Montagné and Barbelivien, and also the broader music community.
french songwriters Win Long Battle Over Plagiarism, but Fight for Royalties Continues
Paris, France - In a landmark case spanning over a decade, French songwriters have won a major legal victory against Italian singer Gilbert Montagné and his record label, Abramo Worldwide Music Italia, for plagiarizing their song “Une fille de France.”
The french court of appeal in Paris upheld a 2012 ruling by the Italian Supreme Court, confirming that Montagné’s hit song “On va s’aimer” was a substantial copy of “Une fille de France.” The court found that the Italian song infringed on the copyright of the original French work, causing both financial and reputational damage to the original songwriters.
While the plagiarism itself has been settled, the battle over royalties continues. The Italian court initially awarded the French songwriters €1.6 million in damages in 2017. Though, appeals have delayed the final payout, and the French courts are now tasked with determining the exact amount owed to the original creators.
The core of the dispute revolves around the extent of the plagiarism. Montagné and his label argue that the infringement was limited to the musical composition and not the lyrics, suggesting that the French songwriters should not receive the full royalties generated by “On va s’aimer.”
However, french courts have consistently sided with the original songwriters. In 2020, the Paris judicial tribunal ordered the Société des auteurs, compositeurs et éditeurs de musique (Sacem), France’s main copyright collection society, to adjust its records to ensure the French songwriters receive all royalties from “On va s’aimer.” This decision was upheld by the court of appeal in October,marking another victory for the French composers.
The case highlights the complexities of international copyright law and the challenges faced by artists in protecting their creative work. It also underscores the importance of recognizing and compensating creators for their intellectual property, even when infringement occurs across borders.
Did Gilbert Montagné Really Write “On Va S’Aimer”? Legal Battle Over Songwriting Credits Continues
Paris, France – The iconic French love song “On Va S’Aimer,” a staple on radio airwaves and dance floors since its release in 1983, is at the center of a legal battle over songwriting credits. While Gilbert Montagné, the singer known for his energetic performances and hits like “Les Sunlights des Tropiques,” has long been credited as the songwriter, a new lawsuit challenges this claim.
The case revolves around the song’s origins and whether Montagné truly penned the lyrics and melody. Montagné’s lawyer, Gilles-William Goldnadel, confirmed to the AFP that an appeal has been filed with the Cour de Cassation, France’s highest court.
Adding another layer to the dispute,Goldnadel revealed that an “expertise” is currently underway in Italy,suggesting the legal battle may have international implications.This legal challenge doesn’t erase Montagné’s connection to the song. Even if the court ultimately rules against him as the sole songwriter, the 72-year-old singer can still claim royalties as the performer who brought “On Va S’Aimer” to life.
The case highlights the complexities of copyright law and the enduring questions surrounding artistic creation. As the legal battle unfolds, fans of “On Va S’Aimer” will be watching closely to see how this chapter in the song’s history unfolds.
[Embed youtube video of “On Va S’Aimer” performed by Gilbert Montagné]
Hitmaker didier Barbelivien Calls on Fans to Weigh In on Copyright Dispute
Renowned songwriter Didier Barbelivien, known for penning hits like ”Il tape sur des Bambous” for Philippe Lavil and “mademoiselle chante le blues” for Patricia Kaas, is appealing to the public for support in a copyright battle.
Barbelivien, co-author of two songs at the center of the dispute, believes justice will prevail and hopes fans will listen to both tracks and form their own opinions.
“I encourage lovers of music to listen to and compare the two works,” Barbelivien told Le Figaro. “And most importantly, I will leave them free to judge. Whatever happens, I remain confident in the future decision of the Court of Cassation. But what saddens me most is the moral torture being inflicted on the honest man that is Gilbert Montagné.”
The case involves allegations of plagiarism,with Barbelivien and montagné facing off in a legal battle over the similarities between two songs. Barbelivien maintains his innocence and expresses concern for the emotional toll the lawsuit is taking on Montagné.
The songwriter’s plea for public engagement highlights the emotional weight of the case and underscores the importance of fair judgment in the world of music.
french Songwriting Duo’s Victory Over Plagiarism Leads too a hard-Fought Royalty Battle
Paris, France: A captivating legal battle spanning over two decades has finally reached a crossroads in the case of “On Va S’Aimer”. The Paris Court of Appeal has upheld the 2012 Italian Supreme Court ruling, confirming Gilbert Montagné’s 1983 hit song was partially plagiarized from Gianni Nazzaro’s 1976 song “une Fille de France”.
Speaking to us from his Paris office, musicologist Jean-Pierre Dubois, a specialist in copyright infringement and music plagiarism, remarked:
“This decision is a significant victory for French songwriters, reaffirming the sanctity of copyright in the music industry. The case explicitly demonstrates that melodies aren’t exempt from the protection afforded by copyright law.”
Though the French court echoed the italian Supreme Court’s verdict, Montagné’s legal team, led by Gilles-William Goldnadel, has taken the fight to France’s highest court, the Cour de cassation. Mr. Goldnadel emphasized the ongoing expert analysis in Italy, suggesting the legal battle is far from over.
Adding another layer to this already complex case, the lyricist for both songs, Didier Barbelivien, grapples with the drawn-out nature of the dispute. He expressed his bewilderment to Le Figaro stating, “After 26 years of legal skirmishes, I remain hopeful for a resolution, but the protracted proceedings are perplexing.”
While the plagiarism finding marks a triumph for the French songwriters, the fight for appropriate royalty compensation remains. The original 2017 Italian court ruling awarded €1.6 million in damages, but appeals have delayed the final disbursement, leaving the French courts to determine the final amount owed.
Mr. Dubois,reflecting on the broader implications of the case,highlighted,“This case underscores the importance of intellectual property protection in the creative industry. The outcome of this ongoing saga will undoubtedly set a precedent for future copyright infringement cases in France and beyond.”
NewsDirectory3.com will continue to monitor this high-profile court case and will provide updates as they become available.