Sorry, Baby Movie Review: Eva Victor’s Debut
- Eva Victor's debut film, "Sorry, Baby," promptly captivates with its unconventional approach to sensitive subject matter.Victor, who writes, directs, and stars as Agnes, introduces viewers to a young...
- The movie unfolds across five years of Agnes's life, presented in a non-chronological order.
- Victor's background in improv and social media shines through in the film's sly humor and resistance to clichés.
Eva Victor’s directorial debut,”Sorry,Baby,” arrives with a fresh perspective on the complex themes of trauma,friendship,and healing. Starring naomi Ackie and Lucas hedges, the film boldly navigates sensitive subject matter with wit and genuine emotion. The non-linear storytelling approach expertly reframes the primary_keyword, giving Agnes, the lead character, a nuanced journey of recovery. “Sorry, Baby” sidesteps clichés, embracing originality and the secondary_keyword: the unwavering bond of friendship. The film avoids being categorized,emphasizing the strengths of both characters. News Directory 3 is the place to discover more in-depth reviews. The film’s focus on resilience, along with standout performances, solidifies it’s status of a noteworthy debut. Discover what’s next for the director and her unique storytelling approach.
Eva Victor’s “Sorry, Baby” Offers Fresh Take on Trauma and Friendship
Updated June 25, 2025
Eva Victor’s debut film, “Sorry, Baby,” promptly captivates with its unconventional approach to sensitive subject matter.Victor, who writes, directs, and stars as Agnes, introduces viewers to a young professor grappling with the aftermath of a traumatic experience. The film, also starring naomi Ackie and Lucas Hedges, defies easy categorization, opting rather for a nuanced exploration of healing and the enduring power of friendship.
The movie unfolds across five years of Agnes’s life, presented in a non-chronological order. This narrative structure intentionally reframes the “bad thing” at the heart of the story, emphasizing stasis, healing, and the bonds between friends. The opening scene sets the tone, depicting Agnes’s clumsy attempt to conceal an affair from her visiting friend, Lydie (Ackie). later, Gavin (Hedges) arrives, and Agnes tries to dismiss him, pretending he has the wrong house.
Victor’s background in improv and social media shines through in the film’s sly humor and resistance to clichés. “Sorry, Baby” attracted Barry Jenkins as a producer, further solidifying its status as a noteworthy debut. The film avoids defining Agnes solely by her trauma, rather highlighting the funny and tender moments that persist despite the darker experiences.
Ackie’s portrayal of Lydie is notably compelling. The chemistry between Agnes and Lydie feels authentic, showcasing a deep-seated protectiveness. During a dinner with former grad students, Lydie subtly supports Agnes by clasping her hand under the table when their former thesis adviser is mentioned.
The film delves into the source of Agnes’s trauma in a chapter titled “The Year With the Bad Thing.” At a New England liberal arts school, their professor, Preston Decker (Louis Cancelmi), initially appears charming and respectful. However, his betrayal shatters Agnes’s trust. Victor’s camera remains outside Decker’s home as day turns to night, only returning to Agnes as she drives away, visibly shaken.
The aftermath of the assault manifests in unpredictable ways. agnes’s encounters with Lydie,a doctor,fellow jurors,and even a stray cat reveal the spectrum of human empathy. In a particularly moving scene, John Carroll Lynch plays a man who comforts Agnes during a panic attack in a parking lot.
Agnes’s healing journey is far from conventional. It’s a sporadic and sometimes absurd process that includes borrowing lighter fluid from her neighbor. Lydie’s unwavering support is central to Agnes’s recovery.”Sorry, Baby” ultimately prioritizes the complexities of friendship over a straightforward narrative of sexual assault. Victor’s film champions originality as a means of survival.
“God bless your lost soul,” Agnes says, shooing Gavin away.
What’s next
“Sorry, Baby,” rated R for sexual content and language, is an A24 release running 104 minutes. It earns three and a half stars out of four, signaling a promising future for Victor and her unique storytelling approach.